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Integrated
Arts In Berkeley
By
Frances Valesco
On a sunny day in Oakland, a woman painted a picture
using her foot to hold the brush, while a friend held her tile.
Another woman held a brush in her mouth, and a man who is blind
painted by feel. Another day, at the Oakland Main Library, a young
boy with Cerebral Palsy and his parents were working together
on a painting of his bike, and long-time activists were making
handprints to show their identity. Then each painter made his
or her way to the audio recorder, so their stories could be shown
both visually and verbally. The power of art and community building
was clear at the Integrated Arts' workshops to create the Disability
Mural.
Frances Valesco and Osha Neumann, co-directors
of the Disability Mural, say they've found it a perfect way to
focus their community art experience and to honor the strength,
beauty and courage of people with disabilities and their struggles
against prejudice and discrimination. Says Neumann, "Each person
tells his or her story and then it becomes a part of a mosaic,
a bigger picture. Just being able to be exactly who you are and
to have that linked to this larger whole, is very validating for
people."
The Disability Mural project started in March
2000, when Jen Sermoneta, Director of Integrated Arts, realized
the need to "celebrate the many individuals whose voices and experiences
were so vital to the changes that have been part of the ADA and
the disabilities civil rights movement." She suggested the mural
as a way of creating a forum for people to talk about their lives,
so that the public could recognize and remember experiences and
efforts, and community leaders like Sharon Bonney and Joni Breves
rallied to help make it a reality. Now, participants have painted
and collaged nearly 600 square feet of tiles, and recorded more
than a hundred sound pieces, in which people tell their stories
and convey a deeper sense of their artistic intentions than the
images alone. It also makes the Mural more accessible for people
who are blind or have low vision.
Valesco and Neumann speak of how the mural has
provided people with a sense of participation in a community,
and it has been a source of pride. People don't have to have a
disability to create a tile for the mural, but they do need to
be interested in disability and the arts, and to believe in the
importance of integrating people with and without disabilities.
"It's a perfect expression of the goals of Integrated Arts," says
Sermoneta.
Osha Neumann pointed out, "Access is one of the
key words in the struggle of people with disabilities. Just as
aisles in stores are too narrow for wheelchairs, or elevators
in BART stations don't work, there are obstacles in art. There
are obstacles to participation in the world of art and expression.
Integrated Arts has dedicated itself to providing a space and
opportunities for people of all sorts of abilities to make art
and express themselves."
The mural is being displayed at various locations
before its permanent installation at the Ed Roberts Campus (ERC),
a global center for disability organizations, scheduled to be
built in 2004 at the Ashby BART Station in Berkeley, California.
The current exhibition is at Oakland City Hall
from May 7-June 8. On May 12, Iarts hosted a workshop at Precita
Park in San Francisco, as part of the Mural Awareness Month Celebration.
Contact Integrated Arts for more information about
the mural and other programs at 933 Parker St., #45, Berkeley,
CA 94710, ph: 510-841-1466, f: 510-841-1631, email iarts@integratedarts.org
Check out our website at www.integratedarts.org
for more information.
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